critical edition of "Havanaise" draws on both the composer's autograph
version for violin and piano as well as the later orchestrated version.
Where the solo part of the orchestral version differs from the version
for violin and piano, the variants are shown in the violin part as
The editor offers a concise and informative introduction
(Eng/Ger/ Fr) on the history and compositional process of "Havanaise"; a
detailed critical commentary (Eng) concludes this Urtext edition.