An inspiring collection of favorite melodies, clearly presented with playalong CD for the advanced beginner. These pieces have been chosen and arranged to build a repertoire for performance and for fun, and include well-known classical melodies, showstoppers, jazz hits, folk songs, popular tunes, and film & TV themes. Complete with chord symbols for accompaniment on piano, keyboard or guitar, this volume is the perfect companion to A New Tune A Day for Cello Book 1.
Title: A New Tune a Day Performance Pieces for Cello, Edited by Ned Bennett, Published by Boston Music Co., Item number: BMC11836
Complete Parts for Cello from the Classic Masterpieces
Volume 1 of this series includes the cello parts from such orchestral masterworks as: Vivaldi - The Four Seasons * Elgar - Cello Concerto in E Minor * Haydn - Cello Concerto in C Major * Telemann - Viola Concerto in G Major * and Hummell - Trumpet Concerto in E-flat Major. Volume 2 includes the cello parts from such great works as: Vivaldi's Gloria * Mozart's Requiem * Handel's Zadok the Priest * and Schubert's Mass in G. Volume 3 includes the cello parts to these great masterworks: Holst's The Planets * Saint-Saens' The Carnival of the Animals * Vaughan Williams' Fantasie on a Theme of Tallis * de Falla's The Three-Cornered Hat * and Dvorak's Serenade in E Major. Volume 4 provides the cellist with complete orchestral parts from these favorites: J. S. Bach's Three Divertimenti, Brandenburg Concerto No. 3, and the Double Concerto * Corelli's Concerto Grosso * Tchaikovsky's Serenade * Vivaldi's Concerto for Two Violins * Bizet's Carmen Suite No. 1 * Nielsen's Little Suite * Pachelbel's Canon and Gigue in D * and Grieg's Holberg Suite. Great for professional auditions.
Title: Complete Parts for Cello from the Classic Masterpieces, Published by Edwin F. Kalmus Music
Variations on a well-liked theme, mainly
from contemporary operas, were extremely popular at the end of the 18th
century. Even the young Beethoven made several contributions to this
genre. We do not know of any concrete occasion for the composition of
the three cycles of Variations for Violoncello and Piano, they are on
two themes from Mozart's The Magic Flute and one from Handel's oratorio Judas Maccabaeus.
The number of reproductions at that time does, however, reveal that
they were very popular right from the beginning.