Like his father, Carl
Philipp Emanuel Bach wrote three sonatas for viola da gamba. These
sonatas can also be played very effectively on the cello; the fingerings
in the marked copies provide helpful suggestions.
Figured bass realized by Wolfgang Kostujak
Includes a supplementary cello part edited by David Geringas
The edition contains 19 concert pieces from the Baroque, Classical and Romantic periods. In
addition, there are newly composed pieces by the Polish bass player
Boguslaw Furtok (*1967). Selections included Adagio (Beethoven), Largo (Bach), Polka (Dancla), Chanson triste (Tchaikovsky), Sicilienne (Faure), The Swan (Saint-Saens) and many more.
• Concert pieces for double bass and piano accompaniment • Easy to medium level of difficulty • Ideal continuation of the string method Early Start on the Double Bass
Luboš Fišer (1935–1999) was one of the most distinctive figures of Czech
music in the 20th century and composed the Variations on an Unknown
Theme in 1976.
The “unknown theme” was a prankish eight-bar
theme from Fišer’s student days. In the elation following the home-team
win over Canada on 15 March 1959, he made a bet with his colleague
Kalach to compose a concert piece for violin and orchestra with the
working title “Canada-Rondo”. The whimsical contest was abandoned, but
Fišer did not forget the theme and he later created variations on it for
his new composition for the Talich Quartet.
The Variations on an
Unknown Theme have now been published for the first time ever. This
edition is based on the autograph of the score which is housed in the
Czech Museum of Music in Prague.